藏语版《孤立无援》，较之《孤立无援》在制作上更加精良了许多，尤其是摄影和剪辑明显提升了一个档次.
不过，在文本上可能就没有《孤立无援》那么有社会学价值了，仅仅是一个二位一体、梦境穿越的概念而已，体量也更像是一个短片，带有几分实验性质. 万玛才旦延续了《孤立无援》中二元对立的符号体系，卡车中的对称构图，彩色与黑白的相似梦境，两个金巴的人物主体、乃至两种啤酒、两个刀子、两只死羊、两个女人、两次尿尿，这些都是勾连整个概念的意象. 不同的是，这次的他用一些小技巧如同景别跳切、轮回结构做了读解上的切口，使得影片更圆润了一点. 但最近真的看了太多这种挖空心思让人去解构的电影，已经有点疲态了，希望导演们以后都尽可能拍一些言之有物的片子吧. 「This was a very thought provoking film, especially for 1973. At the time it was actually a huge box office success. After the 1970s it appeared to be forgotten, but its central messages were too important to disappear completely. It was actually at least fifteen years ahead of its time... No one had ever heard of the "greenhouse effect" before 1985, and the controversial subject of euthanasia was rarely brought up.」近义词：孤立无助反义词：一呼百诺、一呼百应《后汉书·班超传》：“十八年，帝崩，焉耆以中国大丧，遂攻没都护陈睦，超孤立无援. ”联合式，作状语、定语，用于人. 示例庄公既碍姜氏之面，又度公孙滑～，不能有为. （明·冯梦龙《东周列国志》第五回）.
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